Sign up for our new mystery bookclub, co-sponsored by our local chapter of Sisters in Crime. The club will meet at Fiction Addiction on the 2nd Wednesday of each month from Noon-1pm. Each quarter will have a different moderator and a different mystery focus. Diana Manley will moderate the first quarter of 2019. Her February selection is Murder in the Marais by Cara Black.
Meet Aimée Leduc, the smart, stylish Parisian private investigator, in her bestselling first investigation
Aimée Leduc has always sworn she would stick to tech investigation—no criminal cases for her. Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.
Sign up for our new mystery bookclub, co-sponsored by our local chapter of Sisters in Crime. The club will meet at Fiction Addiction on the 2nd Wednesday of each month from Noon-1pm. Each quarter will have a different moderator and a different mystery focus. Diana Manley will moderate the first quarter of 2019. Her March selection is Death at La Fenice by Donna Leon.
There is little violent crime in Venice, a serenely beautiful floating city of mystery and magic, history and decay. But the evil that does occasionally rear its head is the jurisdiction of Guido Brunetti, the suave, urbane vice-commissario of police and a genius at detection. Now all of his admirable abilities must come into play in the deadly affair of Maestro Helmut Wellauer, a world-renowned conductor who died painfully from cyanide poisoning during an intermission at La Fenice.
But as the investigation unfolds, a chilling picture slowly begins to take shape—a detailed portrait of revenge painted with vivid strokes of hatred and shocking depravity. And the dilemma for Guido Brunetti will not be finding a murder suspect, but rather narrowing the choices down to one. . . .